![]() Reducing the color, the expression of everything with only two opposite colors (blue and orange), the ambiguity of the borderlines and the revival of vibrations in the air gap by brush strokes were the new technical elements. "Impression, Sunrise" The capture of a moment with the flare of the sun through the fog over the port of Le Havre in Normandy was the proof of a formal innovative conception. The narrative style in this table was brand new. ![]() He tried to create the effect that the orange sun lights reflected in the light wavy water quickly change color. Monet, caught the moment when the sun began to shine orange. In almost all of his works, Monet tried to describe the shadows in the water and the reflections of light. The painter sometimes applied colors with intense brush strokes. The painting was not telling the scene but the moment. Monet was interested in the changing nature of light rather than pictorial content. Blue and gray-blue tones were used in the sky. Orange tones were used for reflection in the sun and water. Monet's palette was almost focused on the blue and orange relationship that complemented each other. Monet applied the thinned paint with light brush touches to describe the morning impressions. In the background, the steaming chimneys with the masts of the ships were vaguely noticeable in the fog. The port of Le Havre on the Normandy coast seemed to be covered in the morning mist. The name of the Impressionist style was thus seated.Īs can be seen in "Impression, Sunrise“, the point of departure of impressionism was light. The title of Leroy's critique was the exhibition of Impressionists. Louis Leroy named Monet's "Impression, Sunrise" as the name of the whole group. The art critic Louis Leroy wrote the most serious critique of the exhibition. Even though the views of the critics on the exhibition are divided into two, the name of the new trend movement came from this exhibition. Monet's "Impression, Sunrise" in his work were among the exhibits. Monet's "Impression, Sunrise" was among those exhibited. In 1874, this artist organization opened its first exhibition, which lasted one month, at Boulevard des Capucines in the studio of photographer Nadar. They decided to open an exhibition organized and financed by them. In late 1873, a group of painters, including Monet, Renoir, Cézanne, Sisley, and Pissarro, gathered together. This way of painting gives an impression of haste, instability and transience which is fitting for the twilight hour.Impression, Sunrise, 1872, Oil on canvas, 48 x 63 cm, Musée Marmottan, Paris, France. The orange of the sunset placed at the very centre of the composition brings to mind the famous painting of 1872, Impression, Sunrise (Paris, Marmottan Museum), the title of which was the origin of the word impressionist. The water and the banks are painted with wider strokes with impasto highlights. The effect of cold mist is conveyed with fine, fluid strokes in the upper third of the painting. The topographical aspect of the village barely figures here, while the use of colour emphasises the importance of the air and water. Indeed, in this second work Monet gave freer rein to pictorial experimentation. For the 1880 Salon, Monet prepared a deliberately toned down view of Lavacourt which was selected by the jury, as well as a flooded landscape showing the ice thawing on the Seine - undoubtedly the painting at the Petit Palais - which was rejected. Despite the intense cold, Monet painted twenty or so paintings during the first months of 1880, observing the ice on the Seine slowly thawing.Īt that time, a lack of money drove the painter to try to enter the official Salon again, which he had given up in favour of impressionist exhibitions since it rejected his works in 1870. Paris and the surrounding area were paralysed by snow and all transport stopped. The winter of 1879 was particularly harsh. Lavacourt is a village in the Paris area, located on the left bank of the Seine, opposite the village of Vétheuil where Monet was based in September 1878.
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